The Elements of Emotions
An emotion is a physiological sensation [feeling] informed by a belief
and expressed as a performance (which may include trying to suppress
the admittance and/or overt expression of the emotion). Your emotions
tell you something about the life-long ('permeate') project of being
who you are in the world.1 What you are is just a fact
with which you are landed, but who you are [you self] is being
continually created and maintained by what you choose to do and not do
with the possibilities presented to you by being in a world. What you
do and don't do (your performances) is governed by your values. Your
emotions, which are a way of being who you are in the world, are
a fundamental way of letting the value of different facts and
possibilities matter to you in different ways, and a symptom of how you
are coping with having to be who you are in your circumstances. Where
your health reveals how your body is coping with being in the world,
your emotions reveal how your self is coping with being who you are in
the world as what it is; they bring you before yourself as a person
performing in the world.
Emotions are not sensations that emerge from some lower irrational and
'appetitive' faculty of the soul, and lead rational adults astray from
intellectual contemplation and deliberate conduct. They are a part
of intellectual contemplation and deliberate conduct. All of your
choices are informed by both your intelligence (which reveal facts and
possibilities) and your emotions (which reveal the value of those facts
and possibilities to who are being). Within this integrity, your
emotions provide a frame of reference within which reasoning takes
place. A person who feels good about being herself in the world will,
for example, evaluate her possibilities in a way that is
different from someone who feels unhappy or fearful.
How well you cope with being what and who you are in the world does not
emerge from your facts but from the value that your facts have for
being who you are in the world (i.e., your situation). Your emotions
are being-towards this value in a way that both reveal and express it.
You enjoy valued states of affairs, treasure valued memories, and
desire the actualisation of valued possibilities. You are bored with
states of affairs that are not valued, you fear threats to you, and are
ashamed of memories that have negative value for what you would like to
believe about your own value as a person.
You are always
enacting some sort of emotional being-towards the reality of being who
you are, and have been, in the world. You may, for instance, be
powerless to change the past, but you still have to take some sort of
attitude towards it: it pleases you, embarrasses you, bores you. This
attitude shows (a) the value which you attach to various facts and (b)
you how you are coping with the reality of the past that you are
carrying with you towards the future.
An emotion integrates:
- A Self: that
is, who you are as a particular person living in the world who ∙ is
landed with her or his own specific body, environment, history, and
permeate project, ∙ has to be who and what she or he is in his or her
own contingent circumstances, and ∙ has only her or his own
possibilities, values, and intentions.2
- A Situation: that is, a state of affairs as evaluated by you according to your life-value,3
various cultural assumptions, ethics, and a whole range of myths that
emerge from your cultural community. Your situation embodies a
communally instilled set of habitual/logical relationships or
associations which integrate all the elements of an emotion into a
unified event.
- An emotional object;
an object of attention which is relevant to your situation. You do not
just fear or desire; you fear or desire something which matters to you.
The emotional object is often embodied in a fact. But if you are angry
at a person, for example, your anger is not being-towards the person so
much as the relevance/value of something that she has said, not said,
done, or not done. So the object of the emotion is not the fact so much
as the value which the fact has for you. The emotional object triggers
the emotional engagement but is not always the reason for it. The
reason for an emotion is, like a reason-for-performing, a cultural
consideration having ultimately to do with who you are choosing to be.
This reason is often attached to a prejudice, belief, or a habit. For a
racist, for example, suddenly encountering someone of the disfavoured
race can be a trigger for emotions that have nothing to do with the
cultural character of the actual person she's encountered.
Distinguishing between a divergent trigger event and reason for an
emotion is important for distinguishing appropriate and inappropriate
emotions (see below).
- Beliefs about yourself, the emotional object, and the relationship between yourself and the object.
Emotions do not just happen to us but emerge from our beliefs about the
values that facts have for ourselves and our permeate project. So, in
an emotion, you engage with the emotional object as evaluated by your
beliefs about it, its properties, potential, context, and significance,
as relevant to your situation. What you do and do not value ultimately
emerges from your life-value. To desire an object, for example, you
must ∙ be aware of it (as an actuality or possibility) and ∙ have some
kind of belief about its value for who you are being. This value will
emerge from the value of who you are choosing to be and, because humans
normally conform with existing cultural narratives of who they should
be, will almost certainly emerge from the paradigm cultural narratives
[myths] through which you learned your emotional repertoire. It is this
value that is expressed through the emotion (i.e., the desire). It is
the particular integrity of value, belief, feeling, and performance,
that creates the differences between different emotions.You may not be
able to put the belief from which an emotion emerges into words,
especially at the time of experiencing the emotion, but being-towards
an emotional object about which you have beliefs is what distinguishes
emotion from non-emotive sensations such a feeling hot or cold.
- A feeling:
physiological sensations, changes in pulse rate, raised hormonal levels
(adrenaline, serotonin, etc). For most folk this is the most
distinctive, powerful, and revealing, aspect of an emotion. This aspect
of emotions we share with other mammals although, because we react to
the perceived value of imagined, fictional and abstract objects,
thoughts, etc., humans experience these physical arousal states over a
much wider range of facts than do other animals. What you feel reveals
the integrity between ∙ yourself as a person, ∙ yourself as a body, ∙
your situation, and ∙ the emotional object as an evaluated fact that
matters to you in a certain way.4 Feeling fearful, for
example, physiologically reveals an object as evaluated by you as a
threat. Feelings reveal the integrity of person-body-situation-object
better than any other aspect of being a person in the world
- An associated performance:
your tone of voice, facial expression, what you do, how you do it,
appropriate gestures, etc., that constitute the characteristic
expression of the emotion in your community. If you are a boy, for
instance, and boys in your society are conditioned to 'tough it out'
when confronted by creepy-crawlies, then you will express your
conditioned fear of bugs differently from girls (who, in my younger
days at least, were conditioned to squeal in the same circumstances).
Because being a person in the world includes being-with other persons,
not only your performances but the emotions themselves have a measure
of publicness about them. Your basic attitude towards being a person is
often an expression of other persons with whom you identify - you feel
elated, depressed, cynical, angry or self-righteous because that is how
those around you are performing. The emotions which emerge from your
engagements with the world are highly influenced by your cultural
community.5 It is sometimes thought that widespread
similarities in human emotional performances indicate a common animal
ancestry. However, and because the intellectual and value aspects of
emotions are limited to persons, it more likely indicates a common
cultural ancestry. Animality is not, after all, a cultural process, but
being a person is. It seems entirely plausible, therefore, that the
earliest human persons lived in a community and evolved a common
personhood culture as a 'theme' of which all our subsequent local
cultures are variations.
The emotional aspect of being-towards a valued fact is necessary for
understanding its value. This is more than a matter of experiencing an
emotion as a means to an intellectual knowledge of who you are or what
value is. It's more that you don't understand values - and thereby what
being yourself in the world really is - unless you feel appropriate
emotions. In the same way that intellectual information ['head
knowledge'] of love or loss is not sufficient for really knowing them,
so you need to feel good about what you count as goodness, and be
emotionally repelled by what you count as evil, just to know what
really is good and evil to the kind of person that you are being.6
There is a theory of
ethics, called 'Emotivism,' which argues that ethics emerge from
emotions. The emergence relation is actually the other way around.
Being angry, indifferent, or pleased, emerge from, and express, your
ethics because the beliefs from which emotions emerge always signify
the value/relevance that a state of affairs has to who you are being in
the world. For example, anger and anxiety emerge from a belief that a
valued fact is under threat from a possibility; sorrow, grief and
resentment emerge from a belief that a valued fact has been lost, joy
from the belief that it has been or is being gained, desire from a
belief that a fact is valuable, despair from the belief that a valued
fact is unattainable and hope from the belief that it may yet be
actualised.7 In all such cases, the value in question
is to the emotional performer; you fear for the value of those objects
- persons, animals, environments, states of affairs, etc - which matter
to who you are being. These emotions do not found the values (as
emotivists argue); they reveal and express them. Indeed, what you feel
is probably the most telling measure of your actual values, so taking
proper account of your emotions allows a greater role for reality in
your personal ethics. An ethical system based solely on intellectual
calculations can hide your actual values from you. Masking your
emotions before others is easy, but asking yourself what you really
feel, underneath your mask, can be a revealing ethical exercise.
Each kind of emotion uncovers a way in which a situation can matter;
sadness reveals that it is saddening, joy shows that it is joyful,
boredom reveals that it is boring, and so on. More than this, however,
our emotions let facts matter to us. This 'letting an emotion be' is
integrated with the aspect of being a person which is concerned with
objects as possible assets or obstacles to the project of being who you
are in the world. Emotions don't make assets valuable but let them be
valuable; the love you feel for a lover, for instance, doesn't make the
lover valuable but lets her or him be valuable to you in a fully
personal way. Similarly, the intellectual evaluation of a possibility
as a threat is not enough, in itself, to let the threat be fearsome. It
is the feeling of fear that not only reveals the fact to have the value
of being fearsome but lets it be fearsome; the emotion lets the fact be
a situation [an integrity of fact and value]. Evidence of this can be
found in the way that folk so often feel embarrassed at the memory of
how they performed when emotionally aroused. If you feel foolish at the
way you performed when you were angry or in love or whatever then the
feeling of foolishness reveals that you are no longer letting the
object matter to you in the way that it did; if it still had the same
value then you would still feel the same emotion.
Emotions not only inform our reasoning, and show how we are faring in
the world, many emotions are instrumentally valuable - sympathy for
suffering, guilt at having done wrong, delight in beauty, love of kin,
fear of dangerous situations, and so on. But there is more to emotion
even than this ethical or aesthetic usefulness. Emotions are ways of
being a person in the world which can both enrich our engagement and
impoverish it. Fear, envy, or grief, can darken our world and blight
our lives; anticipation, love, sympathy and hope, enrich our world. It
is right to speak of these emotions as enriching 'the world' because
they make facts real and alive, they make beauty possible, good better,
and evil worse. Emotions, in other words, help make the impersonal
universe into a world fit for persons to live in.
Emotional Inauthenticity
It is easy to misunderstand emotions because we normally contemplate
them retrospectively and, in that case, we 'stand back' from them to
focus on our memory of the physiological experience. If you do this
then you will almost certainly mistake the experience for the emotion.
This can lead you to overlook the fact that an emotion is a way of
being who you are in the world. Desiring something, for example, is not
a matter merely of feeling desire but of engaging your body and
intellect with the object as desirable. Standing back from the desire,
by contemplating it as a physiological sensation, dissociates you from
this engagement; the 'thingish' appearance of the feeling covers up the
'performal' reality of the emotion (i.e., the fact that emotions are
not things that happen to you but ways of being a person in the world).8
Often, in such cases, you can feel foolish about how you performed at a
time precisely because the performal reality of the emotion, and
thereby the value of the desired object, is absent from contemplation.9
The traditional
assumption, that emotions are human feelings which happen to us, rather
than a cultural/natural performance of persons, appears to receive
support from discoveries about the rôle played in human behaviour by
genetics, evolution, hormones and brain chemistry. But the belief that
emotions emerge untutored from our human biology seriously
underestimates the rôle that personhood cultures - in the form of
moral, factual, religious, social, and political narratives - play in
our emotions. Ignoring the cultural aspect of emotional
arousal/depression is not only inadequate for any proper understanding
of human emotion, it also has the effect of giving away responsibility
both for what emotions we experience and for what we do under their
influence. Responsibility-avoiding narratives are attractive to humans,
but the fact remains that emotions are learned performances which are
variously justified or not, variously rational, irrational, appropriate
or inappropriate (see below). Human emotions are a complex integrity of
evaluation, physiological events, and performances, which occur when
the emotional performer - a person with a character, cultures and
history - encounters an object of attention that is relevant to who he
or she is being in the world. It is the performer's evaluation of the
object which determines which feeling-and-performance set is likely to
follow. In many cases, this evaluation is immediate, incomplete, and
highly biassed by habit and/or expectation. Normally, which feelings
and performances follow any particular evaluation is largely
pre-established by cultural conditioning, habit, world view, and other
beliefs. For example, it is almost certain that any human suddenly
encountering an unfamiliar animal in an unfamiliar setting would
evaluate the encounter as at least potentially dangerous. This
evaluation would provide a reason-for-performing fearfully. This fear
would immediately entail a series of physiological changes and reasons
for performing; a series which amounts to a highly compressed packet of
culturally informed responses to dangerous possibilities. That is why
if the emotional object was a Cape Buffalo and the performer was an
armed Big Game hunter then he would probably face the danger in hope of
bagging a trophy. If the performer was an unarmed shopper in a suburban
car park then he would most likely get back into his car double-quick.
Both performers may, however, respond inappropriately; the hunter may
'freeze' with fear while the shopper may experience an admiration for
the beast which stops or delays his attempted escape from danger. We
have little authority over what we feel in such circumstances. We do
have some authority over what we do with the feeling; neither hunter
nor shopper has to stand or run away. But where we have most authority
is over ∙ the habits by which we institute various associations of
feeling and performance in response to various situations and ∙ the
narratives and ideological assumptions which underwrite those
associations as appropriate. It is by exercising our control over these
narratives and habits that we make our emotions appropriate. The moment
of actually facing a large wild animal is probably not the best time to
address these issues but, at more opportune times, an armed hunter who
froze, or an unarmed shopper who didn't experience fear, could
challenge the assumptions and modify the habits making it normal for
each to behave in inappropriate ways when confronted by certain kinds
of object.
If my analysis of being a person has been broadly accurate then
authentic person would necessitate being aware that your self is not a
genetic, social, or economic, given but a continually changing output
of doing what you value and avoiding what you don't value. Most humans
are inauthentic because we let facts dictate our choices and,
therefore, the kinds of selves we are actualising; members of our
community do thus so we do thus. This applies to our emotions; it is
politically fashionable to like A, be offended at B, want C, and so on,
so we like A, are offended at B, and want C. This is attractive because
it hides us from the anxiety of being responsible for choosing who we
are being-towards, but it is inauthentic because it treats personhood
as thingish rather than performal. We can choose to live authentically
if we are willing to think for ourselves and accept the responsibility
from which we normally turn away by pretending that it is our facts,
rather than our values, which dictates who we are.
Part of being
authentic is living by the understanding that we are not other-governed
things but self-governing performers; we are, in other words,
inescapably free. Part of authentic self-government would be
integrating appropriate emotions with integrity-respecting reason and
an understanding of the performal character of being a person. An
appropriate emotion would be one that ∘ integrates the various
components of an emotion identified above, and ∘ is integrated
with both your self-story and your permeate project.
Emotions that lack various kinds of integrity are those which are
unfounded, mistaken, unreasonable, misdirected, irrational and/or
ethically inappropriate.
A particular emotion emerges from a belief that there does or will
exist an object with a certain character at which the emotion is
directed. It is not difficult to be mistaken about this belief. If so,
the emotion in question may not be irrational but would be unfounded
(if the object does not exist) or mistaken (if the object exists but
you misperceive or misconceive its character).
An emotion is unfounded
if the emotional object is believed to exist when it does not exist in
fact. Fear of racial or religious 'bogeymen,' or of political and/or
economic conspiracies when no group of conspirators exist in the way
imagined, are common examples of unfounded emotions. Unfounded emotions
arise from political imaginings, illusions, delusions, hallucinations
or drug-use, and religious or mystical engagements with non-existent
gods, demons, angels, extraterrestrials, etc. Someone who experiences
religious awe kneeling before a supposed representation of Moloch, for
example, although not engaging with any real personage, is in a
different position from someone suffering a perceptual delusion.10
Although genuine perceptual delusions are fairly rare among normal
humans, a belief in the existence of objects which do not in fact exist
are, and have always been, common. The majority of humans have, at one
time or another, experienced strong emotions directed at various gods,
monsters, malign or benign spirits, that do not exist out side of
human imaginings. Many otherwise irreligious folk also experience
strong emotions towards beings who, although they exist, do not possess
the attributes which inform the emotions. Think of the adoration given
to Princess Diana or Adolf Hitler; one superficial, one malignant, both
manipulative, and both at one time objects of quite excessive and
inappropriate emotions. I think of these emotions as mistaken
rather than unfounded because the emotional object does exist but
without the character attributed to it by the emotional performer.
Mistaken emotions
emerge not only when you misconceive an emotional object, as above, but
also when you misperceive it in some significant way. While walking
home in bad light, for example, you may mistake a bush for someone
lurking in the shadows and experience a stab of fear. This fear is
mistaken only because if the bush had been perceived more clearly then
it would not have been an object of fear. The feeling is not unfounded
because the bush exists. It is not irrational because there are certain
shapes, spatial relations, arrangements of light and shade, and so on,
in the bush, which justified you mistaking it for someone lying in
wait. There was something 'there', its just that its real character
gave rise to the false belief that it had a different character to that
which it had in fact. It is the false belief that it has these latter
attributes which is the immediate cause of your perceiving it with fear.
There are cases when a belief is true, or at least well founded, but the emotional reaction is unreasonable:
you may, for example, overreact to a correctly perceived minor threat
or perceive that the danger is great but feel no or little fear. These,
perhaps, are failures of concentration; in the first case you
concentrate your thoughts on the object to an extent that is not
warranted by the situation, in the second the degree of concentration
falls short of what is warranted. In ordinary conversation, the term
'unreasonable' is normally applied to the first of these cases but not
to the second. This might be because the second is fairly easy to
confuse with bravery. But both come equally under the heading of
'unreasonable' emotions.
A common character of
unreasonable emotions is their use as a weapon. Folk who use
indignation to promote violence or anger to inhibit dissent, for
instance, are being unreasonable in the literal sense of using
something other than reason to shore-up a political position.
Also among the unreasonable emotions are those misdirected
emotions which are being-towards the wrong object. It is, for example,
a commonplace of our addiction to violation that we want to hit out at
someone who hurts us. It is also a commonplace of our political
structures that we cannot get at those 'above' us in hierarchy who are
usually the main source of insult and injury. We therefore hit out at
what we can - which is usually someone 'below' us on hierarchy. This
trickle down effect is a common, and unreasonable, source of the
contagion of violation.11 The anger we feel towards
those we inappropriately lash out at is unreasonable through being
misdirected. Other misdirected emotions occur when someone falls in
love with a therapist, doctor or nurse, or when someone lavishes love
on a pet, a possession, a doll, teddy bear, grave site, shrine or god,
as a substitute for a love that she or he is afraid of, has lost, or
otherwise maintains an irrational or painful relationship with.
An emotion is irrational if ∙
someone's self-story clashes with her permeate project ∙ she is
abnormally resistant to the kinds of considerations that would usually
lead her to correct the belief or beliefs informing the emotion (a
situation which usually means that a political consideration is at work
somewhere), or ∙ correcting the belief fails to change the emotion
appropriately (a situation which indicates a dis-integrity between the
permeate project and self-story). So say, for example, that someone
feels that he is repulsive to others because of a disfigurement. If the
disfigurement is removed by cosmetic surgery, and he continues to feel
repulsive, then his emotion is irrational. A less extreme example would
be if someone covets a particular job opportunity as a way of finally
proving that he is better than a sibling, but believes that he desires
the job because it will better enable him to serve the community. This
second belief may be entirely true; it's just that this belief is not,
in fact, the one informing his feeling about the job. In this case it
can be seen that the rationality or irrationality of an emotion emerges
from the relation between its causes [the permeate project] and the
beliefs that are taken to justify it [the self-story].
Irrational emotions
can sometimes be appropriate to the situation in which they occur; an
irrational paranoia can be accidentally appropriate if someone is
conspiring to harm the paranoiac. An emotion can also be inappropriate
when there is no irrationality; a rationally justified emotion may, for
example, be stronger or weaker than is appropriate, or it may be out of
harmony with other emotions that are appropriate.
Misdirected anger (above) is an example of an emotion that is ethically inappropriate.
Feelings of hatred or mistrust towards a despised moiety are also
ethically inappropriate because, although they impact on actual
persons, they are informed by narratives about a semi-mythical moiety
rather than actual persons. Unreasonable emotions can also be ethically
inappropriate either in kind or degree. The degree of anger that would
be ethically appropriate towards someone who attacked one of your
children, for example, might well be inappropriate to someone who stole
a flower from one of your shrubs.
It should be noticed
that an emotion which is mistaken may nevertheless be ethically
appropriate to its object as that object is misconceived or
misperceived. If you mistakenly believe the wrong person to be the one
who rescued your child from drowning then it is still ethically
appropriate for you to react to that person with gratitude.
Emotions and Politics.
The reason that human persons are overwhelmingly inauthentic (and the
same reason that we are given to violence), is our ancient and
inherited addiction to the politics of hierarchy. Politics are all
about social status, and the fact that humans are universally addicted
to politics is evidenced by the way we all, and always, 'stack'
relationships so that ∙ some persons, and objects, are more parent-like
than others, ∙ parent-likeness in persons in measured by the power to
violate, and ∙ parent-like things and person are valued more than less
parent-like things and persons. If human ways of being persons in the
world are political then we should expect that our emotional repertoire
will reflect this. A typical example of a bad feeling turned vicious by
politics is fear of failure. To fear failure is to fear the loss of a
desired value which you are endeavouring to actualise. Because all
human projects are being-useful-towards actualising a valued fact - a
successful hunt or harvest, a promotion, a qualification, respect,
love, wealth, the winning of a game, and so on - we normally fear
failure to some extent. As translated within a parent/not-parent
(P/not-P) politics, however, to fail in any project is further read as
indicating a general failure to be a significant person. In a cultural
environment where virtually your whole worth as a person is vested in
being 'P' by some political calculus, this adds enormously to an
otherwise ordinary and justified fear.
A further fear,
informed by a politically-conditioned fear of failure, is that of
'losing face'. In a hierarchy, popularity and rank are highly valued.
To perceive ourselves as unpopular and without rank (not-P) are
occasions for misery and unhappiness, while being rejected by a group
altogether is felt to be one of life's disasters. Many human emotions
and performances can be understood in terms of these facts. It
explains, for example, why gaining rank is associated with elation
(feeling good) while losing rank is associated with humiliation (a bad
feeling). This, in turn, explains the kind of mania associated with
winning trivial competitions, such as arguments, games, elections, or
sports contests. When so much significance is loaded onto even trivial
competition then our elation as not losing rank, even vicariously, can
be expected to issue in our rejoicing just as if we had done something
valuable or clever.
Some emotions are almost entirely political - envy, being offended, or
feeling insulted, for instance - but even otherwise prosaic emotions
can turn vicious when over-defined by politics. If, for example, you
are to maintain a sense of significance in political terms then you
must avoid failure at any cost. You can do this either in fact or by
making sure that any blame attached to failure is pointed away from
you. Because you can never be sure of escaping failure in fact, you
must be constantly engaged in making sure that you have a blame/excuse
advantage in your relationships with other folk. Indeed, the most
successful leaders, in virtually all human endeavours, are normally
those who are or have been best able to take undeserved credit and
avoid deserved blame. This constant political manoeuvring is
being-useful-towards inauthenticity and the violation of integrity
(lying, cheating, disparaging rivals, and so on), but most of us do it
automatically and all the time without even being aware that we are
doing so.
The basic fear, that
emerges from political notions of about what it is to be a significant
or insignificant person, is that of being not-P (or at least of not
being P). Part of our addiction to politics is neglecting the
significance we already and necessarily have, just by being persons, in
favour of being-towards a counterfeit significance defined for us by
status. If significance is vested in being P then to be not-P is to be
insignificant; a 'natural' and deserving victim. Being P is a belonging
defined by ever-shifting rituals and tokens of belonging such as
fashions in jargon, taste, clothing, possessions, and attitudes. To not
keep up with the latest P fashions or jargon (to not be P) is all it
takes for us to slide into be not-P - we are either in fashion,
up-to-date and 'in the know', or we are nobodies. Being P is rewarded,
being not-P is punished; being P feels good, being not-P feels bad. And
we will go to a lot of trouble to turn away from feeling bad.
Our fear of being not-P is a conditioned political fear which distorts
all our other fears. It exacerbates the addict's normal fear of reality
and of life. Other fears, conditioned on our fear of contingency by a
political fear of being not-P, are a fear of dependency, a fear of
fear, a fear of freedom, and of guilt. These fears overlap, and one
reason for this is that all of these fears emerge from our fear of
contingency under the same political commitment. Humans have, for
example, survived and flourished by co-operation. But reliance on
others, and their reliance on us, creates a dependency. Dependency is a
child-like, rather than parent-like, state and, to the extent that you
are political, the child-like state of dependency on others is a
weakness, a vulnerability to be feared. If the popular theories of
evolution were right then it could be expected that the significance of
co-operation to our survival would have led to humans evolving
reliability. In fact however, and as is normal for addicts, humans are
chronically unreliable. It is not surprising therefore that fear of
dependency haunts us. The traditional political mistrust of love, for
instance (manifest in both patriarchal and feminist literature),
emerges from the recognition that letting another inside our emotional
'armour' makes us vulnerable to uses of power by someone who is at
least as addicted to violating integrity as we are.
This fear extends
even to fearing our own fears and weakness. Political narratives tend
to repeat the same 'either P or not-P' violation of integrity at both
social and personal levels. Social relationship implies a dependence on
others; the unreliability of others is consequently a source of fear
that is variously dealt with trying to control others while
simultaneously trying not to rely on them too much. Personal
self-reliance invokes a similar fear that our own needs, fears,
desires, and weaknesses, could let us down. Being parent-like is valued
by us, however we define it, because we are conditioned to believe that
only the parent-like aspects of us determine our significance as a
person. The parent-like self is threatened on all sides - not only by
various rivals, and whatever reality escapes our control, but also by
our own needs, fears, and uncertainties. Under the logic of dichotomy,
all that is not P opposes P, so our non-parental aspects must be an
enemy threatening us. Hence the fear-driven compulsion to overcome all
that is not an aspect of the parental character.
When our conditioned fear of being not-P meets with our addictive fear
of responsibility then we exacerbate our normal fear of freedom. This
fear is not only of our own freedom, and the addict's normal a fear of
the responsibility which freedom entails, but also a fear of what
others may do with their freedom, which, in turn, generates our fear of
differences and our compulsion to both conform and compel conformity.
Politics conditions us to fear differences as a threat to community.
Politics also condition us to vest our significance in overcoming. This
is why conformists and non-conformists alike are always trying to
overcome difference with some kind of uniformity in order to
politically secure our own values.
Humans compulsively
treat others as ethical children where possible or, if we have not the
power to achieve that, we let ourselves be overcome by others as
ethical parents. This cheats us of both difference and sameness as
freely chosen vehicles of significance. Differences between ourselves
and others - and/or between aspects of our own personhood such as
emotion and intellect, fears and hopes, and so on - are real within a
larger web [sameness] of relationships integrating character and
community, hope and fear, emotion and intellect, and so on. Dichotomy
violates these relationships, over-defining differences
antagonistically, and replacing the links between them with gaps. Thus,
under a political ethic, we try to 'overcome' our separation from
others while, at the same time, hiding within a conceptual estrangement
between ourselves and others that is created out of natural separation
by the very politics we are using to overcome it. This estrangement
makes our fear of others much worse and, basically, fear + politics =
violence.
As could be expected from parentocentric ideologies, our religious and
political narratives exploit fear (and guilt) in a manner that actually
makes us even more fearful. Our fear that chaos is the only alternative
to parent-like control is part of this. The problem of human violation
lies not in the mere fact of our being violent but in our conditioned
compulsion to violate all integrity, including our own ethical and
intellectual integrity, under the fear-driven and self-fulfilling
illusion that violating integrity is the only way to be safe, strong
and significant. It is this fear-driven compulsion to secure the
ethical space for ourselves that drives our compulsion to impose our
tastes, preferences and politics on others. Moreover, to the extent
that we are ethically insecure, we are fearful enough of our own
uncertainty only to violate others in an effort to secure our own need
for significance. Parent-playing is a fear-driven attempt to secure
political dominance as a way of suppressing our awful awareness that
our values are uncertain. To the parent-player, uncertainty is not-P
and must be overcome. This is being-useful-towards inauthentic
self-government
Emotional Suffering.
Unpleasant emotions, although sometimes extremely unpleasant, are as
much a normal part of being a person in the world as are pain or fear.
A great many philosophies of life ∙ consider happiness to be the
measure of a worthwhile life and ∙ invest happiness in turning away
from bad feelings. I am not sure of this because the best way to be
happy is to not be a person. Self-deception, self-righteousness, drug
use, belonging, and various religious or 'mystical' techniques, are
normal and enduring human ways of doing this. I am, however, deeply
suspicious of any projects that invest living a worthwhile life, as a
person thrown into a world, by trying not to live the life of a person
thrown into the world. It is partly for this reason that I equate
living a worthwhile life with being an authentic person in the real
world.
Although I don't like
bad feelings, I am not convinced that I should equate living
authentically with turning away from them. As with suffering, what
seems to matter more is why I feel bad and what I do with my bad
feelings. Guilt, grief, or anger, that is 'taken out' on innocent
victims, for example, is irrational enough that an authentic person
would probably want to do something about whatever politics is feeding
the violation. Seriously disturbing bad feelings can also be symptoms
of a dis-integrity in a person's way of life that needs to be
addressed. But fear of the unknown, for instance, has been and is an
important survival trait of human persons, especially given that
curiosity is such a valuable and dangerous part of being in the world
(given two equally inquisitive persons, the one made cautious by fear
of the unknown is far more likely to survive and reproduce than is the
other). Similarly, a fire fighter who remains appropriately fearful of
fire, and performs his assigned tasks well in spite of that fear, is
going to be of far less danger to his colleagues than is one who has
become fearless through familiarity. Perhaps more to the point, you can
be open to pleasant feelings, such as love or joy, only to the extent
that you are open to unpleasant feelings such as grief or sorrow. The
alternative to bad feelings is not good feelings but no feelings
[apathy] - and that is a way of death rather than a way of life. Living
authentically demands feeling; good and bad. In my present society
apathy is thought of as an ethical and/or psychological failing but, if
given the name 'serenity', the same kind of emotional indifference is
admired as some kind of success. Serenity is a kind of 'upper class'
(P) way of turning away from emotional discomfort that is much
acclaimed as valuable by supposedly spiritual people. Because persons
actualise their possibilities in a world which they inherit, performing
authentically as a person entails being concerned with the world.
Serenity is achieved precisely by not being concerned with the world.
It is, rather, a calculated indifference; a kind of happy apathy
(literally a-pathy or 'having no passions'). Serenity is therefore
contrary to living the life of an authentic person in the real world.
Emotional Self-government
The common belief that emotions are non-rational reduces emotional
self-government to 'overcoming' the feelings that threaten to your
'grown up' self-control and social restraint. This is the traditional,
and still majority, view of the emotions and explains why, for
instance, humans tend to think of someone who acts badly in a passion
as less reprehensible than someone who performs the same way 'in cold
blood'. However, the discovery that our emotions reveal what we believe
about the relevance [value] of certain facts and possibilities to who
we are being, reveals that we are governing our emotions to the extent
that our emotionally-relevant beliefs emerge from the life-value of who
we are choosing to be.
Consider, by way of
illustration, a common occasion for violating integrity. Members of a
not-P moiety are not getting their own way because the political
projects by which citizens access power in their society are slow and
resistant to change. It is normal, in such situations, for frustration
and anger to 'build up' (i.e., to be built up) until it erupts in
various and serious violations of integrity. The perpetrators of these
violations then disown their own violence by claiming that their
opponents 'drove us to it' or 'left us no choice' so that it is 'their'
fault that 'we' had to go to extremes, and so on and so on. It is, of
course, normal for those addicted to violation to dress up projects of
self-aggrandisement in moral clothing. But it is misleading to talk as
if frustration or anger can somehow 'build up' and 'erupt' of their own
accord when, in fact, they are cultivated and chosen by persons. No one
'has' to go to extremes; extremes are chosen. This is not to say that
anger is never justified, but blaming your feelings for 'getting the
better of me' is a way of turning away from responsibility for how you
perform and is therefore a way of living inauthentically as a person.
Anger, for example, is not a boiler that is made safer by 'letting off
steam'. It, like all emotions, is a chosen way of being a person which
becomes habitual if indulged. This matters because part of human
normality is the life-long cultivation of emotional habits such as
anger and 'righteous' indignation which make violation both seem
justified and feel good. Unlike non-persons, humans always choose
whether to react violently or not - and we always choose according to
our values. Talking as if anger is some sort of external force that
overcomes you, and/or justifies violation at the expense of those who
'made' you angry, is a dishonest device for not taking responsibility
for the fact that you cultivate anger at certain situations for the
value that being angry has for you in those situations.12
Your feelings not only express your beliefs and values but also reveal
them. You feel love or fear or envy or hope only because you value some
actual or possible state of affairs in terms of its significance to who
you are choosing to be-towards. The emotion reveals that value. To the
extent that you are being authentic, you can expect to experience
emotions that fit with your both permeate project and self-story. If
there is an inconsistency here then you may well be failing to
integrate who you believe you are [your self-story] with who you are
really being-towards [your permeate project]. In such a case what you
feel is the more reliable revealer of what values you really hold. So
if, for instance, you claim to be uninterested in status, but still
feel insulted by certain remarks made to or about you, then your
emotional discovery of who you are will be more reliable than any
avowal to the contrary.
Cultivating Emotional Authenticity.
Our addiction to politics means that humans normally cultivate an
enthusiasm for being offended. If someone is going to be offended
because you don't applaud their prejudices then that is their problem.
If, however, you assault, rob, or rape, someone then they are going to
feel bad - and you know that before you act. Performing, in the
knowledge that your performance is going to have an emotional outcome,
makes you responsible for the outcome of that performance. So, although
what other folk feel is still a function of their beliefs and values,
the belief, that you bear no responsibility for what others feel, is
not entirely true. Neither is the belief that you are not responsible
for your own feelings. It is true that persons experience feelings as
something that happens to us, but these emotions emerge from beliefs
and values - and it is what they reveal about those beliefs and values
that is issue for authenticity. Say, for example, that you experience
an 'overwhelming' desire to possess someone else's house, land, and
life style. It might be thought in such a case that this desire is a
feeling that threatens your self-government. But the case is not as
simple as that because what you feel is a measure of the ∙ values that
you are choosing for yourself and ∙ cultural character that you have
been cultivating for yourself. You are not a victim of desire but have
chosen, and am cultivating, a covetous attitude towards someone else's
property because doing so serves your chosen permeate project (which,
in turn, emerges from your life-value). Values have to be, and are,
chosen and, to the extent that you are responsible for your values, and
are free to change them, you are ∙ responsible for the emotions that
express and reveal those values, and ∙ able to change your feelings by
re-cultivating who you are choosing to be-towards. It is not any fact
about you that makes you covetous. Covetousness is a political emotion.
If you are threatening your own self-government by cultivating a
political emotion, and want to change that, you can cultivate a less
threatening emotion in its place by modifying your life-value. If you
don't want to modify your life-value then you affirm your chosen
commitment to, and thereby responsibility for, the politics of
covetousness.
It takes little
self-discovery to be aware that you are, in fact, conditioning yourself
towards some life-value with every choice you make. You are, for
example, becoming more or less kind just by performing more or less
kindly every time you encounter a possibility for being more or less
kind. Both kindness and unkindness are cultivated over time, and which
you are cultivating is making a difference to the world. Because what
you feel reveals which values you have built into who you are, to an
authentically kind person kindness would be emotionally satisfying, and
to an authentically honest person dishonesty would be emotionally
distasteful. So, once again, what you feel is a reliable revealer of
your cultural character and engagement with the world.
Living the life of an
authentic person is not about how you appear to others (a political
consideration) but about how you are being yourself. Emotional displays
are easily faked for the sake of others, but faking the emotions
themselves is another matter. So if you want to actualise, say, a
compassionate personhood then you can know that you are getting there
when you begin to feel compassion in the appropriate circumstance. If
you do not feel the appropriate emotions then you can justifiably
assume that there is a cultural or natural dis-integrity somewhere in
your permeate project and/or character; fooling others is easy, but the
reality of what you feel makes it that much harder to fool yourself.
Given how skilled at self-deception human persons have made themselves,
this is precious.
By compressing your evaluations into habitual responses, emotions
provide a kind of inertial guidance system or inbuilt 'ethical
compass'. What you are doing, as you cultivate various emotions, is
'tuning' your ethical compass. This is why it is important to take
clashes between reason and feeling seriously - but it is also why you
should not simply let your feelings be your guide. Because of your
addiction to violation, and the influence of being-with other folk,
your emotions are a compass that is substantially tuned by political
inputs. Even in only moderately violent societies, emotions are
cultivated in way that lend themselves to continuing the violence. In
such cases, the emotional compass is in need to correction from careful
and honest reasoning. Doing this always contributes to authenticity no
matter what the output.
It is true that you have little or no control over what you feel at the time of feeling it.13
You do, however, have editorial control over the narratives which
inform your emotional repertoire. Human persons internalise all kinds
of narratives long before we are aware that we have. These myths are
typically political, fragmentary, internally inconsistent, and can be
seriously at odds with living authentically. We cannot do much about
what was fed us as children but, as adults, we do have the ability, and
responsibility, to question our paradigm narratives - to challenge
them, discard or re-narrate them according to reliable discoveries of
the truth (truth being more valuable to authenticity than any
falsehoods).
Part of this editing
process involves weeding out of your conditioned beliefs any which
clash with more reliably justified beliefs. A harder part involves
cultivating an honesty which discourages unreliable beliefs from
flourishing in the first place. In some societies more than others, but
in all societies to some degree, humans force-feed each other a
cultural diet of politics, violence, and inauthenticity. If you are
going to live authentically then you have to accept your responsibility
for your cultural diet. It is easy to find parent-players
[commentators, experts and the like] who will point out or impute
ideological bias to TV programmes, movies, news media, and the like.
All such commentators are themselves politically biassed and see or
attribute only ideological competition; the racist will see the racism
of other races in even the most innocuous events, Leftists will see
Rightist propaganda everywhere, the homosexual will see 'gay bashing'
by heterosexuals, and so on. No such political criticism of any
cultural phenomenon will be anything but one more move in the same old
game. So if You are going to live authentically as a person then you
need to learn to trust your own cultural/natural integrity, to pay
attention to what is being sold by the music you listen to, the books
you read (or don't read), the schools you attend, entertainments you
watch.14
Some emotions (e.g., feeling appreciated or unappreciated, pride,
shame, envy, resentment) are plainly political. Others (e.g., anger,
hate, indifference) have a political component. If, as I argue,
political thinking helps keep humans inauthentic as persons then
cultivating political emotions is inimical to living the authentic life
of a person in the world.
Because emotions are informed by values, emotional authenticity needs
ethical insight. Emotionally sensitive folk do seem more likely than
most to be aware of the ethical character of the various situations
that they encounter (much as those who cultivate a sensitive palette
are better able than others to perceive the various characters of food
or wine). But emotional sensitivity in itself is not necessarily
authentic. Many folk, for example, are emotionally moved by other
people's suffering only to empty avowals of sorrow and/or turning away
from what they perceive because it distresses them. This kind of
dis-integrity sits ill with the kind of personhood that I associate
with authenticity. Authentic persons would surely need to integrate
their ethical evaluations with appropriate emotions and vice versa
because, as always, it is cultivating an integrity of both, rather than
either one at the expense of the other, that promises to increase
authenticity.
NOTES
1. This life-long project is called
'permeate' because being-towards one kind of self or another permeates
every choice you make for as long as you live. Because at least some
choices are open to you for as long as you can function, your self [who
you are] is never settled; you are never being some kind of self-thing
but always being-towards who you will be after your next choice is made.
2. Some non-human animals appear to
experience sensations and exhibit emotional behaviour. However, and
because emotions involve beliefs about a fact, only animals capable of
forming beliefs about facts - a skill which requires culture - can be
in the world emotionally. So a cow, for example, will experience
physiological stress (a sensation) when being attacked, but only
persons can be anxious (an emotion) about the possibility of being
attacked.
3. Every choice that persons make emerges from the value that they
place on the possibilities actualised by that choice. All of the values
that you put on your possibilities emerge from your life-value; that
is, your basic choice of what kind of person you are being-towards. You
may, for example, value both honesty and economic success (along with
any number of other possibilities). If you normally sacrifice honesty
to the possibility of economic success, when the two clash, then
success is primary. The reason why you value economic success over
honesty (i.e., why you value being-towards being a successful self
rather than an honest self) will be your life-value.
If you have any reason for preferring one value over another then
that reason is not your life-value but points towards your life-value.
Your life-value itself is freely chosen just because you ∙ must choose
some value and ∙ are choosing this one. So if, for example, you value
economic success because it makes you feel important, but you value
being important because 'that's just the way it is' then feeling
important (a very common value) is your life-value (i.e., the kind of
value that you would call 'foundational' if being who you are had a
foundation).
4. This integration can be dis-integrated
in various ways. In some cases, for instance, being aware of the
physiological affects of an emotion can dissociate us from the feeling;
a scared person, for example, may deal with his fear by focussing on
his heart rate and other physical symptoms. The feelings normally
associated with an emotion can have non-emotional causes; a feeling of
euphoria, for instance, can be induced pharmaceutically, or a feeling
of irritability can result from a digestive disturbance or lack of
sleep. In these cases, because there is no belief integrated with the
feeling, we are dealing with a physiological sensation rather than an
emotion as such. Physiological changes can also be brought about by
drugs, injury and/or illness. These changes can invoke the sensations
associated with emotions but, again, unless there is an emotional
object and an emotion-informing belief there is no actual emotion. That
is why feelings brought about by drug use or 'mystical' techniques that
disturb our bodily chemistry, are not emotions but merely sensations.
One reason why folk confuse induced physiological sensations with
emotions is because emotions are normally informed by beliefs about an
object, and we will go looking for, or even create, an emotional object
if one is missing. So if someone is on a 'high' through drug use,
fasting, Dionysian, Pentecostal or yogic techniques, then that person
will tend to 'point' that high at some object - a loved one, 'spiritual
union' or whatever. Similarly, if someone is experiencing the
sensations normally associated with anxiety or fear, for purely
physiological reasons, then that person will tend to look for and, if
necessary, invent a plausible object and accompanying narrative to
justify and explain the sensations. That is why one of the useful ways
of treating mood disorders such as anxiety attacks, depression or
paranoia, is for the sufferer to learn how to differentiate the
symptoms of the disorder from ordinary belief-caused emotions.
5. Your cultural community probably
determines the normal range of emotions which you experience. If, for
example, you live in a typically politicised human community then
'losing face' can be emotionally devastating whereas, in an apolitical
community - if such a thing existed - you would feel nothing.
6. This entails that the subjective
experience of feeling certain emotions is itself part of an objective
understanding of persons. This perhaps is a flaw in science. If what we
feel about the value of a fact is part of being engaged with fact then
scientific analysis, which is emotionally disengaged by being
objective, is value-blind. That would disqualify both the real and
social sciences from being an authority on value - they leave out what
they cannot picture thingishly and therefore do not fully understand
what they are analysing.
7. The relationship of emotions to value
explains why we don't feel anxious or angry about a threat to valueless
items but feel increasingly strongly about increasingly valuable items
- I don't get angry at folk harming grass by mowing a lawn, I do get
angry at them harming trees, more angry at them harming people, and
most angry at them harming children.
8. Traditionally, humans have believed that
the person aspect of being a human person was some kind of 'self-thing'
(a soul, or mind or consciousness or whatever). In truth, however,
being a person is not a matter of being what you are but of doing what
you do and not doing what you don't do (i.e., of being-towards the
actualisation of various possibilities). It is, in other words, a
project spread over your entire life time. This project is constituted
of performances; that is, an integrity of what you do and don't do
towards the actualisation of a valued possibility. You 'surf' the
internet, for example, only because you value the possibilities with
which that performance presents you; while you are surfing the net you
do not keep your eyes closed, paint your house, or rape the neighbour's
cat, because such performances are not being-useful-towards actualising
the possibilities presented to you by surfing the net. This
combination, of doing some things and not others, constitutes a
performance. Performances can take place only in a world. It is because
being a person in the world is constituted of performances that being a
human person is performal rather than thingish.
9. Emotions are ways of letting a fact be a
situation; a way of letting the fearful be fearful, of letting the
desirable be desirable, and so on. So if you feel foolish at the way
you performed when emotionally aroused then the feeling of foolishness
reveals that you are no longer letting the object matter to you in the
way that it did.
10. The feelings of someone swept away by
aesthetic awe, in the presence of a religious statue, are not unfounded
if the object does have the culturally appropriate aesthetic character.
This is because it is the statue (which does exist as a statue) that
excites aesthetic awe whereas it is the god (which does not exist as a
god) that excites religious awe.
11. This is especially so that, in order
to justify an unjust mistreatment of another, we have to invent some
flaw in them which justifies our mistreatment. This is why those who
have harmed others for some reason so often come to hate the other they
harmed. This is also why, if you ask someone about another person who
they appear to have harmed unjustly, the harmer will describe their
victim as an unlikeable and badly behaved person who thoroughly
deserved the treatment they got.
12. Note that, although I use anger as a
useful example for this logic, the same discovery applies to other
political emotions such as frustration, sexual covetousness, and
ambition - all of which are cultivated as instruments
being-useful-towards actualising a valued cultural character. No one,
for example, is 'driven' by ambition, there are only folk who drive
themselves to reach a (usually political) goal for the (usually
political) value that it has for who they are choosing to be-towards.
13. The intrusive aspect of emotions is
valuable towards being authentic because how you feel confronts you
with who you are regardless of what lies and half-truths you may have
been feeding yourself to the contrary.
14. Note once again the difference
between politics and morality. In politics certain P persons get to
censor what narratives not-P persons are allowed access to. In
authentic [moral] self-government you don't censor others but you do
censor yourself.
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